Showing posts with label art tutorial. Show all posts
Showing posts with label art tutorial. Show all posts

Monday, September 25, 2017

Mixed Media painting over Acrylic Pour- Cultural Aura


8*10 wrapped canvas
Acrylic pouring is an exciting, unpredictable painting technique that doesn't involve brushes and can provide you with finished paintings or interesting backgrounds for additional techniques such as this one. Here is another revamped failed pour painting that after the addition of ink and watercolor it transformed it into something spectacular.hair and weathered face of this individuals. I also tried really hard not to cover all of the beautiful background instead using the texture to my advantage. I LOVE this painting, it has everything I look for in a self-critic of my work, contrast, color, spontaneity, interest, lost and found edges. I hope this inspires you to try something new.

If you found this of interest remember sharing is caring. 

Sunday, September 24, 2017

On the Cliffs - Painting over an acrylic poured background

I have been experimenting with a new technique of acrylic pouring with mixed results. This little 8*10 painting is one of these that didn't quite turn out the way I hoped, so when it dried instead of repouring I decided to use it as a background for another painting. There were not a lot of "pre-loaded images" to work within this pour -these are images that just appear -  so I had to rely on the colors in the background to choose colors the colors for the foreground. The muted blues/greys and texture reminded me of washed out plaster so running with that I emphasized the oranges, pinks, and greens. With all the visual interest the background you don't have to worry about covering all the underpainting, just enough develop your vision.

Friday, February 17, 2017

Dependence

This painting was started by using a messy background that was accomplished by using inks, acrylics, heavy body gel medium and stencils for texture. You can see the texture of the gel medium being utilized in the fish and some raised letters and symbols hidden in the background. I used some drywall tape and randomly smooshed some medium into the holes and it worked to give me some texture and direction in the painting, I like this method of intuitive painting because it does not force the work, it just allows it to develop naturally.
When I was working on this I had to make a few adjustments as I went. The biggest challenge was connecting the human and fish form This is where I added the tongue with the fishing line - problem solved. For added interest, you can also find some charcoal pencil mark making and a fun foam fish stamp that I pulled from my collection.
Hope you enjoy and remember sharing is caring.

Saturday, November 16, 2013

Art Journal Portrait mixed media page Gelli Printed Background

My dd and I have been busy printing gift tags, Christmas cards and background papers on our handmade Gelli plate. If you haven't had a chance to experiment with this type of monoprinting, you should! There is no right or wrong way, just ways that work out better than others. If you don't like something it is very easily covered up to create another dimension. We cut our own stamps (texture plates), basic stencils and used found objects to print a multitude of papers. This is one of my not so good prints that I turned into an inspirational mixed media piece. Gelli print, acrylic paint, oil pastel, ink, collage.


 I love the way the paper does a lot of the work for you.

Saturday, January 26, 2013

Tangled quilt blocks 9 & 10

I am posting both of these today because I have come down with the flu and don't know if I will be back for the next few days. :( UUG. They are both 4.75 inch square and were created with micron pens on cotton. Hope you enjoy. Im going back to lay down.

Monday, December 17, 2012

Ink and watercolor mini portrait

This painting practically painted its self. I started off by doing a grey scale under painting with black ink and water pens. Then applied a few washes of color to bring her to life. The shading was already taken care of with ink washes.  Hope you enjoy. Merry Christmas everyone.

Tuesday, December 11, 2012

Sailboat at sunset tutorial

Just a quick demo on how I painted this sailboat at sunset. Colors used: Indian Yellow, Napthol Red, Alizarin Crimson, Royal Blue, Burnt Sienna and Brillant Orange and permenant ink First draw out your image and mask off your sun spot - dry.
I chose to use ink as a base to this painting applying it both directly and using it as a wash to add some shadows.
Next wet the entire sky area. Working around your sun spot start by adding a graduated wash of indian yellow from the bottom to about 3/4 the way up, then add in alizarin crimson, and at the top work in a band of royal blue letting it run down a little. DRY The sky is not holding the weight I need it to so I wen over it again using the same colors and technique. This time adding a band of brilliant orange along the bottom. Looking better but still not quite there. So lets dry and move on to another area so that I can come back and judge the values.
The sails were added using a mix of BS, brilliant orange and indian yellow. DRY I noticed that the sky still didn't have the imapct I was looking for so I had to go back and mask off the sails so that they weren't muddied if I brought the blue down so far.
Now all you have to do is go back and fine tune using the same colors you have on your pallet and a fine tip pen to strengthen some of the rigging.
Hope you enjoy. Feel free to ask any questions.

Wednesday, April 4, 2012

Little Boy Watercolor Portrait demo

One of my students have asked me to post the demo that I did for a workshop on portraits from last week. This is a 2 hour painting (including dry time) using a limited pallette of quin gold, aliz crimson, Ultramarine blue, Burnt Sienna and Burnt Umber.  Stage 1: Mask out any highlights or if you are really confident you can paint around them. Due to the small size of this little man I masked.
Stage 2 Sunshine : Wet your paper into the hairline, background, even the whites of the eyes. Wait until the sheen is gone from the paper and start dropping in your mid mix of quin gold. I love this color for 2 reasons. 1 it lifts easy, which comes in handy when laying down your road map  and 2 it adds your sunshine.   DRY
Stage 3 I added a little BS and BU just to place a few darks in the eyes and hair. DRY Then mix up a light mix of aliz crimson. This is a high power, staining color and should be used with care. It is way easier to add color then to take it away. Wet his little face again and start adding your turning points, this would be around the outside of the face, the side of the nose... the warm shadows on the facial planes.  If you are finding that your paper is starting to get to dry, STOP, walk away and let it dry. If you overwork the skin will start to get streaky, and on a child that looks pretty garish. :0 You can always glaze in more color later

Stage 4: I added some more darks to the eyes. I also went back in and strengthened the red/oranges a little.

Stage 5: This stage was done in 2 parts. The background was first wet and a little of the blue color was dropped in. The light is coming in from the viewers left and there is a bright hightlight on the side of the face and top of head. So by adding the darker value around that area it will help to pop it later. DRY  I also went in and started adding a few darks to his jacket. I am working a little more of a wet on dry at this point, as I need to control how far the paint moves.  Some shadow colors were around his eyes, chin, right side of his face, dont forget the little divot under his nose and a little shadow under his nose to make it pop out a bit. DRY  He is really starting to look human now.



Stage 6: Final adjustments were made to his face before adding just a simple hairline and a hint of clothing. Hope you enjoy.  
Untitled portrait
4.5 * 4.5 inch
watercolor on 140lb Arches

Wednesday, November 16, 2011

Watercolor portrait tutorial - Girl in Pink

Wow it has been a long time since I have done one of these little tutorials/ paint alongs. Yesterday I thought I would paint up a little girl. I had no real person in mind, I just started with a basic line drawing getting her perspectives down and picking out my pallett of hmmm.... lets see... quin gold, perm red and cobalt blue, opera and i will toss a little burnt umber in at the end.
Lets start by wetting her face and dropping in some color to get a base of where we want to go with this. At this point I will be working with only my yellow and red remember to work around your lights.

Still working wet in wet and building up light layers of my yellow and reds all the time thinking about where the sun will hit her face. You will see I added just a dab of burnt umber to place the eyes. Dont forget to leave the highlights.

Continue building up your layers of sunshine, but now it is time to start thinking about how and where your facial structures recede. The eye sockets and sides of the nose the dip under her bottom lip the hollows of the cheeks and dont forget her temples. We can start adding our shadows into her layers. Work light!!! You can always add paint but it is Really hard to take it away.  

I wanted to get in my darks at this point, so I had to first pop in some background of perm red and cobalt. This will not be the final layer I juts needed something for her hair to sit on.  
Mix up some powerful mixes of Yellow, Red, Blue and Umber. She is backlit so remember to leave a couple wispy lights around her head working in some sunshine and then into your red and blues for your really darks. The umber I used is just enough to tone down a few areas but not enough to give an overall color. Remember if your values are correct it doesnt matter what colors you use. You will have to go back in at this point to make some final tweeks, but at this point Im going to call her done.
2.5 * 3.5 inch
Hope you enjoyed this mini demo
SOLD

Monday, August 15, 2011

Chimpanzee in pencil - mini demo

Hope everyone had a fantastic weekend. I put together this mini demo on how I work in pencil to achieve the different textures on this monkey drawing. 5 * 7 inch chimpanzee in graphite on copy paper aprox 4 hours. I wish I would have done him on better paper, but i have stuck him in a frame and he hangs proudly on my wall. :)
Start with a basic line drawing blocking on major shapes and patterns.
Work around your subject comparing one area against the next, varying your pencil strokes to represent the changes in textures you are drawing. The hair would be done in long, wispy strokes and the face would be done in more of a confined circular stroke, avoiding harsh lines but varying value.
Final touches are then added and or subtracted from your subject.

Wednesday, August 3, 2011

Hibiscus- Floral triad watercolor study


I really haven't been in the mood for anything this past week. And it has really been hard to get anything started let alone get anything completed. So when I saw this weeks WDE and the challenge that went with it, i thought this would be just the escape that I needed. This is a small painting of an emerging hibiscus using only a 3 odd color triad. For this painting I chose Magenta, Brilliant orange and Cobalt turquoise. These are colors I seldom use so I thought I would try it out. Pretty flowers always make me feel better. :) Hope you enjoy
4.25 * 4.75 in
watercolor on 140lb CP

Friday, March 11, 2011

Acrylic Landscape mini demo


A little something I started yesterday 16 * 20 acrylic on stretched canvas. So far so good but i am a little stuck, to much open space in the middleground, may add a sheep or two or maybe make it into a golf course.. Any suggestions would be greatly appreciated.
Happy Painting
Tammy

Wednesday, February 9, 2011

Mardi Gras Mask in Earths



I think im going to do a series of these as I love the mystery of masks and I would love to go to New Orleans during Mardi Gras. So here are the first stages of the one that I am working on now. Have a great day and Happy Painting!!  The finished painting can be found here. http://tampster1.blogspot.ca/2011/02/mask-in-earths.html

Thursday, January 27, 2011

Mountain Bluebird Acrylic Tutorial



I haven't posted a WIP is a long time so I thought I would stop by and show you this mountain bluebird painting I have been working on in between sewing projects. :) 9 * 12inch canvas board. Here are the first intial stages mostly just blocking in the large masses of color.
starting to define the shape a bit more on the leaves and feather pattern

Almost done! Went back in to reshape his head , eye and bottom breast a little. Added more shading under his body to tail feathers. I realized after photographing the last shot something was off - the lighting didnt match. So .... will be going back in today to try and give the tree more of a rounded shape by moving the shadows to the right side of the tree (hehehe oops... )and maybe pump up the highlights on some of the leaves. :)Till next time Happy Painting!
9 * 12 acrylic on canvas board
signed and dated on both front and back
Donated to Canadian Artists for the Poor

Saturday, January 22, 2011

Oh My Heavens - The World News :O

So every once in a while I google myself - just to make sure I am not having anything negative associated with my paintings and I came across this article in the World News!!!!!!!. http://article.wn.com/view/2011/01/08/A_splash_of_watercolour_in_a_dull_month/ If you scroll to the bottom of the article smack dab in the middle is a link to my you tube 2009 video of my paintings. You cant even imagine how excited I am! :) I am very honored and privilaged to whomever came by and admired my work enough to give me a feature spot. *** big hugs **** Thank you!

Tuesday, November 16, 2010

Landscape painting using a toned ground


I have been experimenting lately with toned grounds. A toned background is a background that has been painted in a flat wash of color. This is done for 2 reasons, it seems to take away the intimidation of starting with a blank white canvas and it adds continuity to the painting as the undercoat will show through in spots. Some colors work better than others as a toned background. For this painting I use I started off by toning this little 2.5 * 2.5 inch canvas with cad. red and then applied my color dashes of color. For something so tiny it sure hold a lot of impact. The red under painting that is showing through seems to highlight the greens of the trees and the fields.

Thursday, September 9, 2010

Hanging out Watercolor Portrait Tutorial




Another painting started .. i just love the expression on this teens face.. it represents that genre very well.(man i sound old all of a sudden) LOL Anyways just a simple pallette Skin tones - raw sienna, alizarin crimson, and ultramarine blue. Work slow .. develop your warms .. thin washes wet on wet and **let dry in between***
When you are waiting for the initial skin tones to dry move onto another area that does NOT touch and adjacent area that you have worked on.
For the jacket I used just a simple wash of UMB and Burnt Sienna. Cobalt blue for a bounce of stronger color in the white shadows.

Keep developing your skin tones. dampen a small area at a time, drop in your color and walk away.
For the hat I used a light wash of perm. rose.. dry and then cobalt blue. Enhance the shadows and the stiching on the hat with a mix alizarin crimson and UMB that you have been using on the face. This will help to tie everythig together. I also used perm rose and cobalt underwashes on the shirt and banding.
I am really loving the skin tones in this one. They are almost flawless.. Something I have been striving to do since I started painting in watercolor. :) I started the hair working wet on dry with seperate mixes of burnt sienna and van dyke brown. Careful not to cover all your underpainting. It gives the impression of sparkle and light. Pop in some darks using the UMB and alizarin crimson mix that u have been using in his face.

A bit more progress made on the jacket. I will be fixing the uneven shadow wash on the left side of the collar and adding some more texture and detailing on the jacket. I have added in his eyebrows using vandyke brown and your purple mixture from the previous steps and adjusted his right eye, it was looking a little big. Thinking i may want to reevaluate the background. In the photo he is shown in front of a chain link fence. I just love the way he is turning out and I dont want him to be competing with the background so I am thinking of just a dark green/grey soft foliage background.
 

A quick update after the first background wash has been applied. I still have about 10 washes and a color adjustment to go in order to get the depth that I want, but it is the impression I was going for. The green/blue background really makes his face glow. I usually dont use masking fluid but i had to make an exception for this one because i really didnt want to be trying to paint around the hair. I hope that when i peel it away it will come off nicely without having to many touch ups to do.
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Whoopie. I am sooo excited by this piece.
Would love to hear what you think. :)

Happy Painting